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At first reluctant to take on a follow-up to his highly successful Frankenstein (1931), director James Whale finally gave in to the demands of Universal, the studio that gave birth to a distinctive series of horror films, beginning with The Hunchback of Notre Dame (1923) and reaching its heights in the 1930s with Dracula (1931), The Mummy (1932), and a handful of pictures based to varying degrees on the writings of Edgar Allan Poe. Only a handful of sequels have the distinction of being as good as or better than the originals.
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The Monster, Pretorius and the Mate are killed, freeing Henry and Elizabeth to pursue a normal life together. The Monster realizes that he has no place in this life, and after urging Henry and newly freed Elizabeth to escape, pulls a lever that causes the tower to explode. Although the experiment is successful, the Mate is terrified of her intended. Upon garnering electricity from a lightning storm, the Mate comes alive. With their newly acquired organ, which Henry is told is from the victim of an accidental death, Pretorius and Henry operate together on their newest creation. Needing a fresh heart, Pretorius sends Karl out to kill a young girl. While Pretorius's artifical brain thrives, Henry has little luck in reviving the female corpse's heart. At Pretorius's command, the Monster abducts Elizabeth and intimidates Henry into agreeing to create a mate for him. By this time, Henry and Elizabeth have been married and are preparing to leave on a vacation. Pretorious befriends the creature and the Monster is encouraged by the idea of having a female companion. Pretorius and his two murderous assistants, Karl and Ludwig, gathering specimens for the Monster's mate. Entering a crypt, the Monster discovers Dr. In the ensuing melee, the hermit's cabin catches on fire and the Monster escapes into a nearby cemetary.
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In time, the hermit teaches the Monster how to speak and the creature calms, until two more hunters happen on the cabin and try to kill him. The violinist is a blind hermit who, unaware of the Monster's deadly capabilities, welcomes him as the friend for whom he has prayed. He then follows the sound of a violin to a small cabin in the forest. Wandering at night, he finds gypsies around a camp fire, but when he burns his hand in the flames, he becomes terrified and runs away. He is soon captured by the townspeople, who put him in chains in a jail, but he breaks out and kills a young girl. Meanwhile, the Monster is discovered in the forest by two hunters. The mad scientist then insists that the two combine forces to create a mate for Henry's creature, thus fulfilling Pretorius's dream of developing a race of man-made beings. Pretorius convinces his ex-pupil to follow him back to his lab, where he shows Henry how he has grown miniature people from seeds. Pretorius, his old college professor and mentor. Later that night, Henry is visited by the evil Dr. Elizabeth implores him to discontinue his experiments in revivification, so they can be married, and he dazedly agrees. His creator, Baron Henry Frankenstein, is presumed dead, much to the horror of Henry's fiancée Elizabeth, but once his body is returned to the family castle, he revives.
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The much misunderstood creature rises from the flooded mill cellar, however, and kills two more villagers. After the mill burned and many people died, the burgomaster assumed that the Monster died in the fire. After assuring Byron that her horror novel will soon find a publisher, Mary tells him that the story did not end when the book ended. On a stormy night, George Gordon, Lord Byron, commends Mary Wollstonecraft Shelley, the wife of his close companion, Percy Bysshe Shelley, on her unpublished manuscript entitled Frankenstein.